25.2.12
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24.2.12
FOXE TAIL, Book One of the Skyler Foxe Mysteries by Haley Walsh
Skyler Foxe is back in his old high school, as a teacher. He is nervous about letting anyone know he's gay, afraid other teachers and the principal will not be comfortable, not to mention students and parents. But when super hot Keith, the biology teacher and assistant football coach joins the faculty, it gets harder and harder not to give himself away. Trouble is, people are being murdered, and Sktler thinks Keith is involved.Excerpt from FOXE TAIL, Book One of the Skyler Foxe Mysteries by Haley Walsh
Skyler Foxe knew they weren’t listening. Tenth graders. The toughest audience in the world and here he was trying to tell them about Julius Caesar.
He soldiered on, hoping that the enthusiastic tone of his voice would impart similar enthusiasm in them. “Shakespeare gave us less history and more melodrama,” he said. “Of course, we must remember the times in which these plays were first performed. There wasn’t a lot of room for subtlety in the sixteenth century.” He pushed his platinum blond bangs off his forehead and raised his gray eyes once again to row on row of blank faces. He wasn’t much older than they were. A room full of fifteen-year-olds versus one eager twenty-five-year old. He remembered being bored by his instructors when he was their age—and that gave him pause. Being new at this, he hoped he wasn’t one of those.
All in all, they were a good bunch of kids. A little preoccupied by today’s technology, perhaps. He was constantly plucking earbuds from ears and frowning at visible iPods and cell phones while they were texting their friends or playing games. Likely the only reading they actually did was text messages, checking out their friends’ Facebook page, and the instructions for setting up the next Xbox.
None of you gives a rat’s ass about Shakespeare, do you? Nod if you’re still alive.
Hey. Xbox. There’s an idea.
“Look at it this way,” he said, suddenly inspired. “Picture Julius as Arthas in Warcraft and he was betrayed by Brutus, his sword of power.” Several heads popped up at that. Aha. Alive after all. He walked between the rows of desks, students nodding at the reference. Spiked-haired Alex Ryan looked up only momentarily, his large square face almost animated, but he soon returned to the sullen and methodical destruction of his desk with his Bic. Skyler plucked the pen from his hand as he strolled by, gaining an even more sullen expression and a grunt from the boy.
Even after a month of teaching, it was still a weird feeling to be standing in the front of a classroom where only seven years earlier, he sat as a student. James Polk High, his alma mater, seemed smaller somehow. But familiar, like a comfortable old shirt. He remembered his old English teachers fondly; two of them were still teaching at the school. How strange to be their peer now and call them by their first names, albeit awkwardly.
A poster of a Shakespeare festival covered a crack in the wall by the door that Skyler remembered well from his day. An earthquake in his junior year had caused the old plaster to open and in nine years, no one had repaired it. He liked his classroom all the more for it.
Skyler lifted his paperback copy of the Folger Library edition. “So here was old Julius, surrounded by what he thought were his loyal supporters. Instead, he was lying on the steps of the Senate covered in his own blood from multiple stab wounds. And he looks up into the face of his best friend and says—holy shit!”
The class perked immediately. Skyler’s eye caught the goings on out the window. A bright October sun sheened off the black asphalt parking lot below…where someone was beating the crap out of his new VW Bug with a baseball bat.
“Shit! I mean...um...I’ll...I’ll be right back.” He tossed the book toward his desk and raced down the stairs, grabbed the rail to make the tight turn, and ran hell for leather for the door. Down the front steps and he was soon in the parking lot heading toward the maniac with the bat.
“What the hell do you think you’re doing!” he screamed.
The man looked up, his large dark eyes filled with tears. “So now you notice me!” His midriff top was a shimmery magenta, something like club wear and certainly not for high school parking lots. His trousers, too, were skin tight and made of an exotic fabric reminiscent of shark skin.
“Rodolfo! Jesus Christ!” The headlights were a shambles of broken glitter on the pavement, the windshield a spiderweb of cracks. The door, once a smooth expanse of white painted metal, was now dented from the battering. “Are you out of your fucking mind?”
Rodolfo threw the bat to the ground. It rang with the pure sound of a Louisville Slugger before it rolled away under an SUV. “I called you and I called you,” whined Rodolfo, his accent growing thicker. His long hair whispered over his shoulders. “And I get nothing but your answering machine. So fuck you!”
“But I—we just—” Skyler slid his gaze toward the windows where faces of students as well as faculty were beginning to gather. Fuck. He dropped his voice. “Jesus, Rodolfo. Don’t out me here. I’m a teacher, for Christ sake. I’ll lose my job!”
The dark-haired man jutted out his lower lip and raised his chin. His arms clasped over his bright shirt. He looked just like Antonio Banderas and was probably about the same age. Two reasons why Skyler picked him up in the first place. “Then why didn’t you call me back?”
Skyler glanced helplessly back to the window before taking Rodolfo’s arm and steering him behind the battered Bug. “Look, we had a good time for a few nights but now it’s over, okay? I never promised you anything.”
“Oh yeah? That’s not how I remember it, Sky-ler.”
“Well that’s the way it was… And now you broke my fucking car!”
“Hmpf. A car is nothing compared to the heart.”
“I’m going to rip yours out,” Skyler said between clenched teeth. “And my car isn’t nothing. Do you know how long I saved up for a down payment?”
“I repeat. Fuck. You.”
“No. Fuck you!” Skyler knew he was on the brink of hysterics. He was already on his toes, jabbing an accusatory finger into the taller man’s face. He reined himself in and stood squarely. “You are not going to stalk me,” he whispered harshly. “If you leave now I won’t call the police. But I’d better never hear from you again!”
Rodolfo glared. His eyes misted again and he blinked it away. “Okay. You win, heartless bastard.”
“I’m not a heartless bastard,” he said, lowering his voice again. “It’s just…it was just…Oh hell. Just go, all right?”
“I will go.” He punched a finger into the air. “But I will not be forgotten.” With one last smoldering glare, he turned on his heel and swiftly left the parking lot.
Visit the Skyler Foxe Mysteries web site.
2.2.12
Destiny Calling

Destiny lures Colin Leyton to a HMV music store one fine Saturday morning in March where he stumbles across the young and flamboyant Sam Taylor.
Sam has a knack for attracting trouble and a gift for rubbing people up the wrong way.
Against his better judgement Colin finds himself playing white knight when Sam’s antics get out of hand and he lands in bother with two store security guards. He gives him a lift home. Sam tries to charm him into a date, but common sense tells Colin not to get involved, in fact to run for the hills and not look back.
However, destiny hasn’t finished with Colin. Sam comes back into his life in an unexpected way, turning it upside down.
Colin's closest friend Jon turns mentor in a bid to help him sort out his feelings for a man most people love to hate.
Excerpt:
Chapter two - Graffiti Palace
It was horrible. I gazed at the ugly dilapidated building in dismay. It was a crumbling concrete monstrosity, a hideous monument to the dark days of sixties architecture at the low end of the social scale. “This is where you live?”
He nodded, un-popping his seatbelt. “Home sweet home. My own Graffiti Palace. Come and have a drink with me, Colin, hot or cold, I've got both. Don’t worry.” He must have caught the expression on my face. “The place was recently fumigated.”
I found myself agreeing to his offer, although the only thing I really wanted to do was drive away. At least if I had a coffee with him I’d know he was safe at home. Hopefully he’d stay there until he was feeling less inclined to be the centre of attention in a way guaranteed to land him in trouble. I followed him into the high-rise block and up the stairs to his fifth floor flat; as is usually the case in such places the lifts weren't working.
The building was even worse inside than it was outside, run down and smelling of damp neglect. It became apparent why he’d referred to it as Graffiti Palace. The lobby walls were adorned with drawings and scribblings, most of them obscene. He inserted his key into the lock of a battered door where someone had spray painted the words ‘Queers Out!’ Underneath it someone else had sprayed, ‘we ARE out, so fuck off!’ It didn’t need a genius to work out the identity of the second graffiti artist.
“Shit!” The key refused to open the door and Sam kicked at it, yelling furiously. “Let me in you evil fucker!”
There was no reply and Sam kicked the door again, which did nothing to improve its appearance. “Bastard, he’s bolted it. I’ll be stuck out here all day while he shags his scabby boyfriend gormless.” He raised his voice, shouting, “not that it’ll take long cos he’s fucking gormless to start with!”
“Who’s he?”
“The sour-faced stoat I share the flat with.”
“Look, Sam, I’m sorry,” I glanced at my watch, “but I’ve got to be going. I'm meeting a couple of friends. Will you be okay?”
He nodded. Removing his sunglasses for the first time he hooked them in the neck of his t-shirt and gazed at me for a moment before lowering his heavy lashes. I repressed, or at least I hope I did, a start of surprise. His eyes were two different colours.
Leaning his back against the wall he slid down it to sit on the dirty floor, drawing his knees up under his chin. “I’ll be okay. He’s always doing this. I'll get in later when he goes out to the pub.” He plucked at the beginnings of a hole in the knee of his jeans. “You’re going to stand me up tonight aren’t you?”
His cheeky bravado vanished. He looked young and somehow vulnerable. I swallowed hard and squatted down beside him. “Sam, I’m so sorry, but you’re not my type."
"Not the right kind of gay, is that it, a bit too pink instead of butch boy blue?"
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7.12.11
Christmas Fic - Out of Tune
‘Out of Tune’ contains two stories about Nat and Gordon, both set at consecutive Christmases.
In the early 1980’s Psychiatrist Gordon Trapp does the unthinkable and falls in love with a patient, bad enough in itself, but made worse because the patient in question is another man, Nathaniel Andrews. He makes the decision to leave his NHS post and set up in private practice in order to be with Nat.
Before their relationship is able to get properly underway he has to go abroad for a while. He returns from his trip just before Christmas 1981, but Nat seems less than pleased to see him. Has his romance with Nat died in the bud? Not if Gordon has anything to do with it. He decides it's time to take the recalcitrant Nathaniel Andrews firmly in hand.
Excerpt:
December 1981
A pair of desert boots heralds a Christmas to remember
“Thanks, mate,” Nat spoke the words automatically without looking up as the coin dropped into his battered tin. The shoes of the giver remained static on the pavement in front of him. Usually, after the minimal pause to drop a coin, they passed on fairly quickly that’s if they paused at all.
He stopped playing his guitar, cocking his head on one side to examine the shoes more thoroughly. Boots he suddenly thought, not shoes, not in the proper sense, desert boots, yeah, that was the name for them, because of their colour he supposed, which would blend in with sand. Though quite why that was desirable was beyond him. If you were trekking through the desert surely your only concerns would be comfort and water. Colour coordinating with the sand would be the last thing on any list of priorities. He’d seen boots like this before, he was sure of it, only less scuffed than this pair. This pair had obviously been well worn. There was a dark stain on the left front toecap and he resisted an urge to lick his finger and attempt to rub it off.
“So,” said a smooth rich voice. “This is what you do instead of keeping your appointments with John?”
Nat stared harder at the boots. Even in the gathering dusk of a winter afternoon they bore a faintly disapproving look. He allowed his eyes to travel up the smart jeans to the brown cord jacket, and on to a very familiar and most definitely disapproving face. His stomach twisted sharply, a movement reflected by his mouth. “Well, well,” his lip peaked into an alpine sneer. “If it isn’t a wise man returned from the East. Did you find your Messiah then?”
Gordon Trapp gave the pavement dweller a measured look, but otherwise paid the comment no heed, pointing at the guitar that Nat had balanced on his knees instead. “I thought we’d made a contract that this kind of activity belonged to your old way of life?”
“Well, as you know, contracts are fragile things and so easily broken it’s almost like they’re made of glass.” Nat casually picked at the strings of his guitar, playing a melody that was deliberately out of tune, “and I’ve got to earn the rent money somehow, doc.”
Folding his arms, Gordon sent a censorious look down the full length of his imposing nose. “Yes, I heard you’d left your job, and your college course too I believe. How long have you been sitting there? You look absolutely frozen.”
Nat shrugged. “An hour, two hours, a while, does it matter?” He felt suddenly tearful, bending his head in order to hide the evidence. He’d actually been there since ten that morning, aside from a short break at lunchtime when he’d sojourned to the pub in order to spend his morning earnings. His rent money was already three weeks in arrears and he figured another week wouldn’t make that much difference. Once seated on the pavement again, he found he lacked the energy to move, as well as the motivation to perform. He’d spent the best part of the afternoon staring mindlessly into space interspersed with playing the odd tune, if only to stop his fingers from freezing solid.
Gordon silently took in Nat’s soiled clothing, his greasy unkempt hair and general air of neglect and the fact that he’d lost a fair amount of weight since last he saw him. Several emotions vied for supremacy. Setting aside shock, disappointment and anger, he chose concern. “You could at least have worn a jacket, that top is practically threadbare and no protection against weather like this. Come on. You can’t sit out here all evening. It’s already getting frosty. I’ll give you a lift home, my car’s not far away.”
Nathaniel tilted back his head, “don’t tell me,” he gave a mocking grin, “your contribution to care in the community is offering a taxi service to the lunatic fringe. What next, a stint in the down and out soup kitchens? Oh of course, you already do that, Saint Trapp, counsellor to the dispossessed, inept and socially hopeless.”
Gordon squatted down. “What on earth are you playing at, man? You haven’t kept an outpatients appointment in almost six weeks. You’re obviously not looking after yourself, just look at you. You’re filthy and you smell, Nat, you actually smell. Do you want to end up being readmitted to the ward, do you? John...”
“John can go to hell!” Nat’s temper surged and he lurched to his feet almost losing his balance as his legs, cold and stiff from sitting on the freezing pavement for so long, refused to support him. He roughly shook away Gordon’s hand as it reached to steady him. “You’re not currently my therapist, so it’s none of your damn business anyway.”
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2.12.11
RIDING SHOTGUN by Claudia Dante
Sonny Goss has everything going for him. He's still not 22 years old, and already he's a rising star in red-hot niche movies, and working for an ambitious director-producer. Paul Jordan's films are still in the zone of soft-core, but Paul has big plans to evolve into 'erotic fantasy' catering to the gay DVD market. His company -- Take A Chance Pictures -- is expanding fast, and his current project, Howl of the Black Wolf, is the biggest, most expensive movie yet to issue on his label. Sonny Goss has the starring role of saddletramp and gunfighter, Matt Ridley, who's in love with a shapeshifting young shaman, John Black Wolf. Sonny's starting to get noticed, and the future looks bright ... save for one thing. He's alone, and he wants so much more than one night stands with beautiful guys he meets 'playing cowboy' in a notorious LA club know as The Corral. It can be a dangerous place to play, but Sonny turns on to the 'midnight cowboy' fantasy, even while he envies his friend, gorgeous First Nations actor Jeff Lucas, who's costarring with him in the gay Western that's tipped to kickstart a whole new genre.
The incredible fantasy of John Black Wolf haunts Sonny -- as does Jeff. But Jeff is secure in a happy, settled relationship, leaving Sonny stranded and falling back on The Corral, where he goes just to watch, to let off steam. The fantasy is piquant, powerful.
Meanwhile, there's a very real half-wolf called Jason ... a soundstage at Universal where the Western action is rather more intimate than the usual spurs'n'saddles ... and there's a stalker menacing Sonny. Crazed fan, or vigilante on a personal quest against out gay actors working in fringe movies...? Sonny's starting to run scared, and calls his producer. Paul Jordan has the reputation of a 'fixer,' and he knows everybody in the gay side of the industry...
Enter Jim Colby -- ex-cop turned Hollywood P.I., who walks into Sonny's life as a hired gun, a bodyguard, and turns his world upside down, inside out. Jim is Sonny's dream, walking on two legs ... but Jim is hiding a secret of his own, and it won't take Sonny long to find out about it. It's fireworks between them from the first moment: the cowboy fantasy is about to become a sizzling, delicious reality, and for Sonny, nothing will ever be the same. Jim Colby is about to take him places he only daydreamed about.
He's about to get what he's wished for ... with interest!
ISBN: 978-0-9872328-2-3
Publisher: DreamCraft
Length: 42,000 words
Format: PDF, Epub, Kindle
Heat rating: 4
Price: $3.99
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Read an excerpt
Chapter One
Hot water felt so good after a day in the dust and heat. Sonny Goss turned, let it pour over his back and ass while he listened for the phone. He spread his legs, leaned his palms on the shower glass, let the water do wonderful things to every nerve ending in the center of him. The flood of sensation made him think of the night ahead. From the shower, he could see the foot of his bed, and the clothes laid out there.
Crisp black denim waited for him, and hand-tooled Lucchese boots, a black linen shirt, bone-bead belt and Diamond Jim Stetson -- all genuine, no cheap knockoffs. The ensemble had set him back a cool grand, with the diamond studs in his lobes and the Ambre Topkapi that would be shimmering on his skin -- hot, sweat-slick and lustrous with pheromones by midnight.
The best thing about being Sonny Goss was, he could afford it all -- and the cherry red '71 Mustang Mach 1 in the garage under the apartment building. Often, he had to pinch himself, make sure he was still awake, not dreaming while he killed time, crashed on a friend's couch, where he had been just twenty months ago.
A chance audition changed everything. The part had looked bad, but he was desperate enough after six months on Nick's couch, eating noodles three times a day, to go read for anything. He was the thirteenth guy in line, and there were twelve chairs.
He sat on the floor, read an old car magazine, and by the time he made it into the hot, dark little cubbyhole they were using for an audition studio, he could not have cared less about actually getting the part.
Maybe that was what Paul Jordan was looking for -- he saw the character of Tommy Hathaway, in Dirtwater Duke, as a badass with attitude to match. A twenty-year-old drifter with a smart mouth, a fast gun, and a taste for ripe young cowboys who very soon learned what the words 'hard ridden' really meant.
The movie was crap, but as Paul predicted, it made money. Sonny liked to think he owned an 'ear' for dialog, and Paul Jordan might have been a good director with a talent for raising movie bucks from starry-eyed wannabe investors in California's gay community, but he was a lousy writer. So Sonny adlibbed most of the words coming out of Tommy Hathaway's mouth, and after that, let his body do the talking for him.
Twenty months later, he had eight movies to his credit -- two had been screened on Starz, one was top-selling on the gay DVD list, and Sonny Goss's face was looking out of posters and video trailers on forty websites. He had been featured in The Advocate, and here! was getting interested.
He looked up into the mirror opposite the shower and gave himself a grin. Even to his own eyes, it looked like a damned smug grin. Then again, he had a reason to be smug. He had done it. He had gone from being the gay kid kicked out by his father for bringing home a boyfriend and daring to fuck in the sanctuary of his own room, to being the poster boy for Take a Chance, Paul Jordan's company.
They were filming on a stage at Universal this week, headed out on location in another four days. Sonny could not wait to get out of the soundstage, back into the open air. One corner of the vast area was currently set up as the barn, for the night scene where one of the movie's eight sex scenes was being filmed.
The set was closed, and guarded to keep out visitors. Yesterday, the same space had been set up as the interior of the cabin belonging to John Black Wolf, with the big brass bed and the quilt made of patches of every color of rabbit skin. Wrestling there with Jeff Lucas, who was playing John, was fun. Understatement, Sonny thought as he turned off the water and stepped out of the shower.
He grabbed for a towel, flicked off the bathroom lights and headed into the bedroom, where the lamps were on, illuminating the room in a dull gold. Jeff was Canadian, half Native, from someplace in upstate Ontario. He was 22, a year older than Sonny, with long limbs and dark eyes, and hair so long, he could almost sit on it. He was perfect for the part of John Black Wolf, and Paul Jordan was gambling on the chemistry between him and Sonny.
Howl of the Black Wolf was the most expensive movie Take a Chance had ever produced. This one had horses; it had location filming, and two actual stunts -- as distinct from the sex scenes, Sonny thought with a chuckle while he toweled down -- as well as fourteen digital special effects shots, which were being done by a studio in Malaysia.
That handful of shots was costing more than the rest of the movie combined, and Paul was shitting bricks over them. He knew they, plus the stunts and location work, would make the difference between Howl being just another glossy gay soft-core flick, and a real movie with a fantasy twist.
Sonny had fallen in love with the project as soon as he read the script, even though Paul's dialog was as crappy as usual, and would have to be rewritten on the set, probably with three minutes left before shooting started. The dialog in Paul Jordan's movies was the least important element. The sex was usually the first thing anyone looked at -- 'tastefully explicit gay love scenes,' as Paul called them.
But Howl was more than soft-core. John Black Wolf was a skinwalker. He shifted shape between human hunk -- a six foot two, broad-shouldered young stallion who had had Sonny drooling since day one -- to a big black wolf with blue eyes and fangs the size of steak knives. The digital effects shots were essential -- these days, nobody would buy simple cross-fades or stop-motion animation. Jeff Lucas had to really turn into the wolf right before the eyes, and take the audience's breath away.
Actually, Jeff was changing into a wolf-cross called Jason. The animal trainer was another Canadian, Cooper Barlowe from Vancouver. He had actually bred Jason, who was half timber wolf, half Belgian Shepherd, black as midnight, with the bluest eyes Sonny had ever seen.
Jeff had already filmed one half of the scene, three days before. He stood under blue lights, made to simulate moonlight, and tore off his clothes. Naked, glorious, from the great slabs of his pecs to the cock and balls that hung like rich fruit between the big, football player thighs -- he spread his arms and legs and arched his back -- and froze right there. A Malaysian studio called Hydraulic Frog (where the hell did they get these names, Sonny wondered) was doing the 'bridge' between the human end of the shot and the other, wolven, end.
Cooper had brought in Jason, and the wolf was perfectly behaved. He stood on his mark while the lights were reset, then looked right at his handler and, on cue, like a proper actor, bared his huge fangs, threw back his head and howled.
The sound made Sonny's hair stand on end. Like Paul, he was dying to see the finished scene, where Jeff ripped off his clothes (the rushes of that part of the scene gave Sonny a huge boner, so it was a safe bet, this part of Howl was going to become an Internet legend) and morphed into Jason, howling at the moon, before he loped up to the camera and away out of frame.
It was the first time Sonny had ever been enthusiastic about a project he was filming. The others were all 'work.' Each low budget job was shot in a week or two, usually using a warehouse in Anaheim as a 'stage,' and they were mostly about a group of great looking young guys having a lot of sex. Paul wrote them, as well as producing and directing -- and what sent the Take a Chance movies apart from the bulk of soft-core was that Paul could usually find a really good excuse for the sex scenes.
Sometimes there was a thread of unrequited love, or it might be a forfeit for unpayable gambling debts, or a joke being played on a straight dude who rapidly discovered that he was nowhere near as straight as he had thought he was. And when the guys got down to business, it was always shot with taste and style. That was Paul Jordan's magic.
Howl of the Black Wolf had just as much sex, but a whole lot more story, and Sonny was excited to be heading out on location Tuesday morning. The company would be in a flyspeck town in northern California called Weott, on the Redwood Highway east of Avenue of the Giants.
The scenery was guaranteed to be superb. Four trained horses were coming down by truck from Oregon. Jason would be filmed loping through the redwoods in shots processed later to look like moonlight. And Jeff and Sonny would get naked and make out in places that would render the video sex shiveringly exotic.
Mostly dry now, he threw the towel back in the general direction of the bathroom. He was still waiting for the phone -- it was on the chest by the bed, mocking him with silence. Not even a text. Sonny gave it a glare, but he was not surprised. He had left voicemail for Jeff an hour before, when he got home.
'Hey, man, you want to get out tonight? Thank God it's Friday, or whatever? I'm going to The Corral, if you're interested. Call me, okay?"
Three or four times a month, Fridays or Saturdays, Sonny went to The Corral. The nights all started like this, with the daylight faded to colors of twilight and the sounds of evening traffic coming in through the open windows with the view of rooftops and dusty palm trees. LA smog would be hanging over the horizon like a brown pall in the sunset. He would shave, shower, grab a snack, change into the kind of threads that would get him through the door at The Corral --
Get him into the basement, where it all happened, much later, when the dancers were drifting on out in couples and trios and quads. The bouncers would be on duty at the side door in the muck and dark of the alley, and the real action would be starting. The Corral was aptly named, and just thinking about it gave Sonny an icy-hot thrill, a shiver down his spine.
He was a mere spectator, but part of the thrill was knowing, he could be in it. He could be a player, in there with the rest of them. One day; one night. Not today, but one day.
Maybe Jeff knew about The Corral -- it was no secret -- and maybe it was not his scene. Sonny might have been disappointed, but he was not surprised. Jeff had a lover stashed someplace in Toronto, a real estate broker who was always texting, calling, emailing, as if he did not trust Jeff not to sleep around while he was out here. Sonny had never even heard the guy's name, but the guy need not have worried. Jeff Lucas got a lot of offers, but he never accepted them. Not yet, anyway. He was as faithful as John Black Wolf was to his on-screen lover, Matt Rigley.
Sonny played Matt Ridley with a drawl, skin-tight blue denims, a Winchester over one shoulder, and a mouth always hungry to go down on John ... and he envied Matt, who was a fictional character right out of the head of Paul Jordan. Matt had the one thing Sonny had never had.
The worst thing about being Sonny Goss? Not being able to connect. There was always plenty of sex -- never any shortage of offers and, unlike Jeff, he never hesitated to take them. But the next morning was all about Pop-Tarts and coffee like black paint, and a door closing behind a guy who never looked as good in the morning light as he had at midnight or two in the AM ... and who always walked away.
He sighed, and gave himself another look in the mirror. A hard look. Naked. He looked good, and he knew he did, with long legs, hard-worked muscles, dark brown hair and eyes, from his Italian grandmother, smooth chest that barely even needed to be shaved, and a cock that was thick and golden when it was resting, and stood s good eight inches when it was interested. His skin was tanned evenly, with just the pale strip around his hips of the Speedos line. His hair was thick and long -- Paul liked it that way; he knew what suited Sonny, and the character of Matt Ridley.
The reviewers on Dirtwater Duke had called him 'surreal as an evil angel, with innocent eyes and wicked mouth.' Sonny pouted at himself, examined his shave and shook out the still-wet hair. It was rapidly drying in the warm evening air. The breeze was still almost hot, and getting heavy with car fumes. He ought to close the window.
He ought to be going through the pages for tomorrow's shooting, as well, but the dialog was hardly essential to the plot. If Paul was on schedule, he would be humping Jeff on a hay bale in the barn set, before the stagehands took it all to pieces and rearranged it as the cave interior, with a bunch of Styrofoam slabs that looked convincingly like rock. Some of them were so old, Charlton Heston was probably acting in front of them, in the original Planet of the Apes.
He had eight lines of dialog tomorrow, and they were bad. Paul was not getting any better at putting words into actors' mouths. If he was as good at putting words there as he was at putting his dick here, he would have been brilliant. The script was lying on the chair, on the other side of the bed. Sonny picked it up on his way to the window.
INT. NIGHT -- The Barn. Matt and John meet for the first time in a week. John wants to tell Matt about the roughnecks who suspect him of being a shifter, and are in the woods, laying traps for the wolf. But Matt is too hungry for John's body to listen.
"Save it -- tell me later," Sonny said in Matt's drawl. "You know what I want. I didn't come here to talk."
And Jeff would say, in that deep voice with the rich accent hinting of other cultures, other worlds, But this is important, Matt. You have to listen to what I'm saying to you.
"So I guess I'll listen real good when you can tell me the whole story ... but later, much later, after I've had what I came for," Sonny/Matt would drawl as he opened the buckskin shirt wide, shoved it back over John's shoulders, trapping his arms in it to hold him.
Camera closes in tight on his face as he stoops to John's chest, takes his nipple between his teeth and bites down. John gives a cry of pain and then a groan of pleasure, he tosses his head, and we hear the wolf howl in his voice. His fingers clench into Matt's arms and they wrestle down on a bale of hay ...
"Jesus, Paul, that's shitty dialog, man," Sonny groaned, "you're getting worse."
More likely, Paul was getting just plain lazy, because he knew Sonny and other bright, smart young actors like Jeff Lucas could adlib when they hit their marks; and in any case, the jeans were off in the next half minute, and all the talking was done with hands, lips, cocks.
It was like that at The Corral, in the hours after the front doors closed and the bouncers took station at the side door. The unsuspecting public was never likely to wander in. Every guy in the basement knew the score and was there for the thrill of it. Actions spoke louder than words.
Nobody cared where a guy was from, where he went to school, what he drove, what he did for a job. It was all about the broncs in the corral, and the cowboys outside of it ... who was going to get roped and ridden, and by whom, and how.
The old familiar thrill raced up Sonny's spine again and he dropped the script. The beer he had left on the table by the door, with his wallet and keys, on his way to the bathroom, was still cool enough to wet his throat. He took it to the window, intending to let the hot night air finish drying his hair before he slid into the black jeans, put his feet into the tooled Lucchese leather.
He was reaching for the window, ready to pull it across, shut out the car fumes, lock up for the night, when he looked down into the street. The streetlights were on. The sky was orange, reflecting the city lights. No stars -- not in LA, not inside of Sonny's lifespan. And down below, on the sidewalk right opposite, standing just outside the pool of blue brightness cast by one of the big streetlights, was that face.
That man. Again.
Always the same man, the same face, looking at him with the wide eyes, not even blinking, just staring, as if he could shoot lasers into the middle of Sonny, cut out his guts, or perhaps his soul.
The beer was forgotten and warm on Sonny's tongue. He swallowed with an effort as he saw the face, locked eyes with the man. This made forty times he had seen that face, in two weeks. At first he had assumed the guy was paparazzi, but he never seemed to carry any visible camera. He did not even have a phone that would take the kind of crappy shots few magazines would buy -- these days, digital was all about high quality.
It was an older dude -- he had to be at least fifty, Sonny thought, dressed in jeans and teeshirt and windbreaker, even though it was hot tonight. He just stood there with his hands in the pockets of the jacket, like --
Suddenly Sonny's blood turned cold and he stepped back from the window. Maybe he had seen too many movies, but the way the guy had his hands in the pockets of a jacket, on a night light this --? Gun in the pocket?
His heart thumped as he sidled around, grabbed the cord and yanked it hard to close the drapes over, and then continued on, back to the chest by the bed, and picked up his phone.
Still no text from Jeff, and no missed calls. This time, Sonny hardly bothered to notice. His fingers went through the ritual by themselves. Paul was top of his contacts list, and in seconds the phone was calling. Who else did you call, when you were scared shitless, and right in the middle of a major production -- or the most major production Take a Chance had ever undertaken? You called your producer.
Calling, and getting an answer, were not the same thing. "You have reached Paul Jordan," Paul's nasal voice said in his best level, casual but 'don't mess with me' manner. "I'm busy right now, but leave a message and I'll get right back to you."
"Hey, Paulie, man, call me. Soon." Sonny swallowed hard. He knew he sounded weird. "I think I'm ... I might have a problem," he said, hating voicemail. "Make it fast, all right? Thanks, man."
He hung up but kept the phone in his hand as he returned to the window. He slid along and looked through the crack between the drapes and the window frame ... and swore. The guy was gone. Or had he stepped back away from the light? Was he standing in the deep shadows at the side of the apartment building across the way? "Fuck," Sonny whispered. "Come on, Paulie, call, goddamn it!"
27.11.11
Snapshots
Snapshots
A Short Story by Fabian Black
A random act of violence against a proud elderly man triggers family tragedy that resonates down the years.
Eoin decides it's time to bring closure once and for all when his partner Robert again succumbs to self-destructive guilt and grief.
The story is told as a series of ‘snapshots’ for reasons that will become apparent.
Excerpt:
After straightening his tie in the mirror, Edward Brighton smoothed a little Brylcreem through his hair, which even with the advance of years was still abundant, albeit silver instead of brown.
Stepping back, he inspected himself in the glass: smart grey suit, white shirt, red and black regimental tie, black shoes polished to a gleaming shine, as were the campaign medals pinned to his jacket.
Yes, he gave a snappy little nod of satisfaction, he’d do. Heading briskly into the kitchen he set about stage two of his carefully planned day.
Opening a tin of best red salmon he mashed it into a ceramic bowl and put it down on the floor, smiling with affection as Bill, his companion of almost eighteen years set about it with purrs of relish.
“That’s my good boy.” Stooping down he ran a hand along the cat’s broad black back. “You enjoy, you deserve it, my loyal friend. I’m going to start work in the living room. You come when you’re ready.”
Walking down the narrow hall, Edward once again halted in front of the oblong wall mirror, letting his eyes rest on his face, studying the bruising he fancied still lingered around his eyes and cheekbones. Healing was a much slower process when you reached a certain age.
Standing a little straighter, he tried to remember the man he’d once been, a proud man who had survived long years of war, spending two of them in a POW camp. Duty as a soldier was followed by duty as a civil servant. He had served his country well in times of war and peace. As an exercise to reclaim pride it was a failure. All that memory returned was humiliation, the humiliation of being attacked by two teenagers as he left his place of work for the last time after his retirement party.
Quite a retirement, to be presented with a gold watch and having it stolen from him before he could even lay it on his dressing table to gather dust. Not that he really cared about the watch, after all, who wanted to hear the lonely, unfocussed years after retirement ticking them onto the grave, certainly not him. He’d resisted the process for as long as he could, retiring much later than most. The ubiquitous timepiece had caught up with him in the end though, until it was stolen.
Lying in a hospital bed after the savage attack, he dwelled on the fact that for the first time in his life he’d been unable to defend himself. He’d felt helpless and weak. The acrid, shameful smell of his own fear pervaded his nostrils and wouldn’t go away.
Turning away from the mirror he went into his small neat living room. Walking across to the low mantelpiece he carefully checked and arranged the contents. There was a framed photograph at one end of the mantelshelf and he picked it up, smiling with bittersweet remembrance, as he gazed on the faces of his wife and son forever frozen in time. His wife Lily had gone to her rest long before him, he still missed her. She was an echo that resonated in his mind and affections. He wished he had hope of meeting her again, but the ugly brutality of war had taken away all vestiges of faith he once had in a kind God and afterlife resurrection. Death was a final act, a fall of eternal darkness, and a long sleep beyond the frontiers of time.
Once Edward was sure everything was in good order, he sat down at the table and wrote out several notes and lists, before writing his weekly letter to his only son John. He glanced across at the photograph on the mantelpiece again. It showed John as a child with his mother. Of course the child was long grown, a successful businessman now. In the letter he expressed sad regret that John had been unable to make it down for his birthday or his retirement party, and to say of course he didn’t mind that he hadn’t been able to visit him when he was in hospital. He understood the pressures of work all too well. A man had to provide for his family.
He enquired after John’s second wife Maggie, sending her best wishes, and then asked for love to be conveyed to his only grandson, saying he must be quite changed from when he’d last seen him, almost a year ago. Children grew so fast. It seemed hardly a moment since John was a little boy.
He also thanked his son and daughter-in-law for their joint birthday-come-retirement present. It had arrived in the post the day before yesterday, a fortnight late for his birthday, but then the postal service wasn’t quite what it used to be, much like everything in life. It was a splendid gift.
After hesitating for a moment, Edward did something he’d never done before, he gave way to sentiment, signing the letter with the words: ‘with fond memories of silver trains and painted sailing boats, happy days, other times, my son, much love, your dad.’
Neatly folding the letter he slid it into an envelope, addressed it, stuck on a stamp and walked to the corner of the street to post it.
Home again, he paused on the doorstep, gazing around his garden, pleased with its smart appearance. The roses had been particularly fine this year. On impulse he plucked a small pale orange blossom from the climber around the porch, inhaled its sweet scent and then tucked it into his buttonhole. He wanted to look his best for the occasion he was about to attend.
https://www.allromanceebooks.com/product-snapshots-625409-145.html
18.11.11
New Release - DREAMS - Enter CONTEST for a chance to win it!
![]() | < -- Click the cover to be directed to my GLBT Bookshelf page for Dreams. A trio of 3 related stories: A Dream Come True Another Dream Dreaming of you ^ Follow the links for excerpts on my GLBT Bookshelf pages. 98,357 words 284 pages (PDF) Cost: $6.99 247 pages (Print) Cost: $11.99 |
Dreams is a collection of three consecutively linked stories, each with a different pair of protagonists introduced in the previous story. The original versions of these comprehensively amended and reedited second editions were previously published individually.
A Dream Come True:
Mike is thrilled when his old university crush turns up at his door in answer to a roommate advertisement. Wes doesn't remember Mike at all, or even realize Mike's gay, but that doesn't stop Mike from pursuing a determined campaign of seduction. The trouble is, Mike isn't ready to give up his free and easy lifestyle and settle down with just one man.
Mike isn't comfortable with public displays of affection. Wes doesn't like anything resembling the proverbial closet, but Mike's still buried deep inside one where his family is concerned. Will Wes have the patience to deal with Mike's issues, or will their dream come true end up a nightmare?
Another Dream:
When a shy, twenty-nine year old virgin erotica writer with a tool belt fetish crosses paths with an outgoing carpenter, the fireworks soar. Introverted Larry has an active imagination, and extroverted Marty is just the man to draw Larry out of his shell. Larry makes new friends and faces a jealous rival for Marty's affections while helping Marty reevaluate an impulsive decision, made twenty years earlier. A scheme is hatched that rewinds the years of Marty's life and takes the new lovers on a cross-country road trip together. From hot to humorous, their expedition is a journey of personal growth for Larry, an overdue resolution to Marty's long-ago rash actions, and a trek down a path of self-discovery for both of them.
Larry worries about the motivations of his own feelings as he tries to gauge Marty's. Marty is tired of the single life. He's ready to settle down and has been looking for Mr. Right. Will their personality differences complement each other to make another dream come true, or will Larry's insecurities keep him from seizing love?
Dreaming of You:
Trevor's upset when the man he's been chasing for years chooses another. He'd come to terms with losing Marty, but his hopes had been recently renewed and freshly dashed. While he's trying to drown his sorrows, the man he considers to be the cause of his distress approaches him.
When Quinn startles Trevor with an insightful revelation, will Trevor be able to put aside their differences and give love another chance?

The contest ends at 12:00 Noon CST on Monday, Nov., 28, 2011. At that time the picture will be revealed and the winners notified. Feel free to share and pass this information on. Good luck!























